August 8, 2013
The Rise and Fall of Katharine Hepburn’s Fake Accent

"Play it, Sam. Play ‘As Time Goes By,’" purrs a moon-faced Ingrid Bergman in the now-famous scene from 1942’s Casablanca. Staccato t’s and accordion-stretched a’s lend a musical flavor to Bergman’s lilt. “Early” becomes “euh-ly” and “perhaps” unfolds as “peuh-haps.’”

The grandeur and glamor in her voice, though, is a sham.
No, really. That’s not a real accent.
Read more. [Image: MGM]

The Rise and Fall of Katharine Hepburn’s Fake Accent

"Play it, Sam. Play ‘As Time Goes By,’" purrs a moon-faced Ingrid Bergman in the now-famous scene from 1942’s Casablanca. Staccato t’s and accordion-stretched a’s lend a musical flavor to Bergman’s lilt. “Early” becomes “euh-ly” and “perhaps” unfolds as “peuh-haps.’”

The grandeur and glamor in her voice, though, is a sham.

No, really. That’s not a real accent.

Read more. [Image: MGM]

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