In 1713, Italian physician Bernardinus Ramazzini described in his De Morbis Artificum Diatriba a mysterious set of symptoms he was noticing among artists:
“Of the many painters I have known, almost all I found unhealthy … If we search for the cause of the cachectic and colorless appearance of the painters, as well as the melancholy feelings that they are so often victims of, we should look no further than the harmful nature of the pigments…”
He was one of the first to make the connection between paint and artists’ health, but it would take centuries for painters to switch to less-harmful materials, even as medicine gradually clued into the bodily havoc “saturnism” could wreak.
Read more. [Image: Wikimedia Commons]
November 25, 2013
November 12, 2012
Here’s what happened when 12 visual artists turned to the written word to express themselves.
[Images: not shaking the grass, Archives of American Art, Brain Pickings]
RSS feed: http://theatlantic.tumblr.com/rss