April 9, 2013
"

The assumption that there is no real difference among black people is exactly what racism is. Our differences, our right to our individuality, is what makes us human. The point of racism is to rob black people of that right. It would be no different than me assuming that Rachel Weisz must necessarily have something to say about black-Jewish relations, or me assuming that Paisley must know something about barbecue because he’s Southern.

It is no different than the only black kid in class being asked to explain “race” to white people, or asking the same question of the sole black dude in your office. The entire fight is to get white people to respect the fact that Mos Def holding a microphone is not LL Cool J holding a microphone, that Trayvon Martin is not De’Marquise Elkins, that wearing a hoodie and being black does not make you the same as every other person wearing a hoodie and being black.

"

Ta-Nehisi Coates on why “Accidental Racism” is actually just racist.

January 21, 2013

Here’s How Lupe Fiasco Got Kicked Off Stage at an Inaugural Concert

9:42am
  
Filed under: Video Music Concert Humor 
January 17, 2013
sesamestreet:

Rubber Duckie, we’re awfully fond of you. Here’s the story behind our iconic bath time tune. 

sesamestreet:

Rubber Duckie, we’re awfully fond of you. Here’s the story behind our iconic bath time tune

(via pbstv)

January 8, 2013

theatlanticvideo:

Cyborg Music: Watch a DJ ‘Play’ Facial Expressions via Electrical Impulses

Taking the role of programmer, designer, DJ, VJ, and composer on each of his projects, Daito Manabe is able to realize scenarios that change our perception of how our bodies interact with technology. Whereas most electronic musicians control sound with their hands, Manabe uses the electrical impulses of his facial muscles. Most of us just walk in sneakers, but Manabe fitted various pairs of Nikes with sensors that trigger and manipulate sound. DJs have long dreamed of having a third arm to mix and scratch with, and Manabe has already traversed this possibility.

3:37pm
  
Filed under: Video Music Art Entertainment DJ 
December 26, 2012
nprradiopictures:

nprmusic:


Take a minute to remember the artists we lost in 2012 and the music they left behind. 


Check out this cool interactive incorporating audio, photos and web features!
-Emily

nprradiopictures:

nprmusic:

Take a minute to remember the artists we lost in 2012 and the music they left behind

Check out this cool interactive incorporating audio, photos and web features!

-Emily

12:39pm
  
Filed under: Music 2012 
December 11, 2012

A Moleskine Detour: Inside Beloved Creative Icons’ Notebooks

November 29, 2012

theatlanticvideo:

‘A Delicious Wood Sandwich’: One Man’s Ode to Plywood

“Steel is King of all building materials. Plywood is the Queen,” says the narrator. A short film by the artist and provocateur Tom Sachs, A Love Letter to Plywood instantly captivates the viewer with its deadpan delivery and whimsical enchantment à la Wes Anderson. Directed by Van Neistat, the film implores you to learn about the virtues of this “studio matriarch” via a step-by-step construction process in Sachs’s Brooklyn-based studio. Albeit a little quirky, the film illustrates Sachs’s creative muse: Ostensibly ordinary objects (cue plywood) mixed in with abstract cultural phenomena. Watch it and you are guaranteed to want to sand something afterwards.

November 27, 2012

theatlanticvideo:

The Making of a Radio Empire: A Fascinating Tour of NBC in the 1940s

Before television took over the airwaves, Rockefeller Center was home to the National Broadcasting Company during the golden age of radio. This promotional film from around 1948 chronicles the rise of the media company from a small collection of 20 affiliated stations, formed in 1926, to more than 170 stations two decades later. The 24-minute documentary, courtesy of the Prelinger Archive, introduces the network and goes behind the scenes at Rockefeller Center, peeking into the mail room, sound recording studios, and music library.

3:23pm
  
Filed under: New York Radio Music Television News NBC 
November 21, 2012
The Perfect Thanksgiving Music, Sung by One Human … and 300 Turkeys

I don’t want to get into semiotics of the annual turkey pardon (Justin E.H. Smith, a philsopher at Montreal’s Concordia University, did that much better last year anyway), but let me suggest that there are better ways of humanizing turkeys than incorporating them into our criminal-justice system (not known for its humanizing effects). There’s even a better — a more festive, convivial — way to humanize them while still celebrating Thanksgiving with them.
That way, of course, is singing with them. Singing with turkeys.

Click to listen. [Image: Reuters]

The Perfect Thanksgiving Music, Sung by One Human … and 300 Turkeys

I don’t want to get into semiotics of the annual turkey pardon (Justin E.H. Smith, a philsopher at Montreal’s Concordia University, did that much better last year anyway), but let me suggest that there are better ways of humanizing turkeys than incorporating them into our criminal-justice system (not known for its humanizing effects). There’s even a better — a more festive, convivial — way to humanize them while still celebrating Thanksgiving with them.

That way, of course, is singing with them. Singing with turkeys.

Click to listen[Image: Reuters]

November 20, 2012

Semi-Visible Memories Haunt a Surreal Music Video

Deceptively simple special effects reveal a hidden universe in Paul Trillo’s video for The Peach Kings’‘Lonely.’ Paige McClain Wood and Steven Trezevant Dies, a Los Angeles-based duo, squeezed themselves into futuristic suits to play the invisible characters in the rooftop scene.

1:34pm
  
Filed under: Music Video Special Effects 
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